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  • Vai, Maria, vem - Tim Rescala
  • Somos só sonho - Tim Rescala
  • Meu coração está à venda - Tim Rescala
  • Não há de morrer - Tim Rescala
  • Sobre a mesa - Tim Rescala
  • Mis besos - Tim Rescala
  • Respire fundo - Tim Rescala
  • Espalhar nosso canto - Tim Rescala
  • É pelos sonhos que vamos - Tim Rescala
  • Sem precisar morrer - Tim Rescala

Teaser

Synopsis

Hoje é Dia de Maria was inspired by folk and mythical elements present in folk tales compiled by Câmara Cascudo, Mário de Andrade and Sílvio Romero, to tell the saga of Maria.

In the first day, consisting of eight chapters, Mariazinha, still a girl, loses her mother and lives between her stepmother’s evil and her father’s drunkenness. Protected by Our Lady, she decides to flee from the house and persecution and fronts the tricks of the demon, Asmodeu, the lord of mischief, in its many facets. Despite the arduous crossing, Maria does not give up seeking her way towards the fringes of the sea, her greatest dream.

The second journey, with five chapters, begins with little Maria before the immensity of the ocean. Maria gets sucked by the waves and comes to the world the first time. In the city, Maria discovers violence, consumerism, exploitation of minors, female oppression, market laws, greed and war, having the protection of a noble walking knight only, Don Chico Chicote, an advocate of poetry and justice, which teaches him: “It is through dreams that we go.

Director’s Vision

By Luiz Fernando Carvalho (2005)

The inception of Hoje é Dia de Maria was alongside the joy I felt when, as an adult, I came first knew of the folk tales collected from the Brazilian popular orality by Silvio Romero and Câmara Cascudo, among others. Soon after came the paintings by Cândido Portinari and the cirandas recreated by Villa-Lobos, then I took Carlos Alberto Soffredini’s and Luís Alberto de Abreu’s hand.

But these early masters necessarily led to further ones. Portinari was in love with Velásquez, Villa with Bach. We all know of the huge cultural melting pot still boiling down here. What is more, I believe in a genetic heritage of Brazil, its stories, races, languages, sounds; everything still lives, everything gives me the feeling that, as archetypes, they are waiting to reincarnate to continue their aesthetic missions.

The project is just a small attempt to bring us closer to one big theme: childhood. A Brazilian, poetic childhood, which is also tragic for the time being. An attempt to delve into this area of ourselves we put to so many tests. And then, with this little show, I ask you: what about our childhood? Where is it? Where did it go?

Hoje é Dia de Maria brings an assertion of the Brazilian unconscious, of the Brazilian underground, with the freedom of not being regionalist. A very delicate attempt because the thread that is leading this is that of childhood, the thread of memory. But if it had to break it down to only one word, that would be ancestry. Ancestry is something that allows us imagine more than copy.  Feel more than describe and explain. Ancestry is a metaphor accessible to all of us and one that should, as with biceps today, be worked out. Ancestry crosses borders, and inexplicably, all by itself, has linked João Cabral to Seville, João Gilberto to Jazz, Ariano Suassuna to Cervantes. Ancestry is what is most modern but archaic at the same time. It is present in the most advanced research in science, in the human genome, in stem cells. Everything is reflected in ancestry, whether biological or spiritual.

As in a harvest, we are all working to return to Brazil the fruit that the people themselves sowed in the midst of their formation. The folk tales are this seed. In the eyes of today’s globalized world, I feel it is a work of immense responsibility. It may sound cliché but I would even say a work of resistance since no country may resist if it gives up its memory.

Hoje é Dia de Maria – Second Journey
By Luiz Fernando Carvalho

The language of the Second Journey was born out of a need not to repeat myself, and at the same time to try to further develop the TV language a little. We write most of the dialogs as song lyrics, but is not an operetta in its structure. Despite the limited space, the few scenarios and the small cast, I am still interested in the epic language. I believe that music, besides being an epic element, is able to lead the narrative and dialogs to new fields.

We are not taking for granted those who, for the whole series, represent our seed: Portinari, Villa-Lobos, Câmara Cascudo and many others. Such creators are still present. If in the first phase we worked a lot with the movements of art history until the 1940s or so, in this continuation, a huge harvest of modern artists, Brazilian or not, were our sources of inspiration.

As with every fairy tale, the Shadow World is an important character. In this Second Season, Maria came to the city, and it seemed to me that showing the new sides of the Shadow was fundamental. Now they are projected and easily recognizable in the daily life of each viewer: the consumerism, wars, exploitations of minors, the oppression on females under the sway of new market laws etc. But I did not depart from a certain circus melodrama, and from the enchantment of metaphors and dreams.

Cast Preparation

Videos

Soundtrack

By Tim Rescala

In the first phase of Hoje é Dia de Maria, the music, both incidental and sung, was composed based on references of Brazilian music, especially the work of Heitor Villa-Lobos. About two hours of music were created, which, added to the works of several Brazilian composers, both in the scope of popular music as well as classical or folk music, made up the soundtrack. In the second phase, accompanied by new adventures and misadventures of Maria, the musical universe was greatly expanded and singing began to play a major role. As in the genuinely theatrical songs of Brecht and Weill, the text sung, at times critically distanced from the action, others illustrating it, often took on the task of telling the story. The music then sought to follow new contours of the narrative, creating several sound universes, according to the characterization of the scenarios, the action and the characters.

It goes from medieval music to rock, always being theatrical and Brazilian and keeping properties that make it an integral part of the narrative meanwhile walking arm in arm with the text. To interpret musically the rich and complex thinking of director Luiz Fernando Carvalho was a real challenge. His creative process seems to have no beginning and no end in sight. The paths to creation are intriguing and endless, as is the very imagination of Maria, so rich and alluring. To sing the lyrics of Luiz Fernando Carvalho and Luís Alberto de Abreu was an immense pleasure, as was the work with the actors, whose willingness and passion were a further encouragement for the creative process.

Awards

International Emmy

Best Miniseries (Nominee)
Best Actress (Nominee) – Carolina Oliveira

Banff Festival (Canada)

Hors Concours

APCA Award

Grand Prize of Television Critics
Best Director – Luiz Fernando Carvalho

Input International Board Taipei

Hors Concours

Extra Award

Best Child Actress – Carolina Oliveira

Brazil Quality Award

Best TV Drama Director – Luiz Fernando Carvalho
Best Special Project – RJ – Luiz Fernando Carvalho
Best Special Project – SP – Luiz Fernando Carvalho
Best Actor – Carlos Alberto Soffredini, Luiz Fernando Carvalho and Luís Alberto de Abreu
Best New Actress – RJ – Carolina Oliveira
Best Supporting Actor (Nominee) – RJ – Osmar Prado

ABC Award of Cinematography

Best Cinematography in a TV Show – José Tadeu Ribeiro

Contigo Award

Best Director – Luiz Fernando Carvalho
Best Child Actress – Carolina Oliveira
Best Actor (Nominee) – Rodrigo Santoro
Best Actress (Nominee) – Fernanda Montenegro
Best New Actress (Nominee) – Carolina Oliveira
Best Author (Nominee) – Carlos Alberto Soffredini, Luiz Fernando Carvalho and Luís Alberto de Abreu

International Emmy

Best Miniseries (Nominee)
Best Actress (Nominee) – Carolina Oliveira

Banff Festival (Canada)

Hors Concours

APCA Award

Grand Prize of Television Critics
Best Director – Luiz Fernando Carvalho

Input International Board Taipei

Hors Concours

Extra Award

Best Child Actress – Carolina Oliveira

Brazil Quality Award

Best TV Drama Director – Luiz Fernando Carvalho
Best Special Project – RJ – Luiz Fernando Carvalho
Best Special Project – SP – Luiz Fernando Carvalho
Best Actor – Carlos Alberto Soffredini, Luiz Fernando Carvalho and Luís Alberto de Abreu
Best New Actress – RJ – Carolina Oliveira
Best Supporting Actor (Nominee) – RJ – Osmar Prado

ABC Award of Cinematography

Best Cinematography in a TV Show – José Tadeu Ribeiro

Contigo Award

Best Director – Luiz Fernando Carvalho
Best Child Actress – Carolina Oliveira
Best Actor (Nominee) – Rodrigo Santoro
Best Actress (Nominee) – Fernanda Montenegro
Best New Actress (Nominee) – Carolina Oliveira
Best Author (Nominee) – Carlos Alberto Soffredini, Luiz Fernando Carvalho and Luís Alberto de Abreu

International Emmy

Best Miniseries (Nominee)
Best Actress (Nominee) – Carolina Oliveira

Banff Festival (Canada)

Hors Concours

APCA Award

Grand Prize of Television Critics
Best Director – Luiz Fernando Carvalho

Input International Board Taipei

Hors Concours

Extra Award

Best Child Actress – Carolina Oliveira

Brazil Quality Award

Best TV Drama Director – Luiz Fernando Carvalho
Best Special Project – RJ – Luiz Fernando Carvalho
Best Special Project – SP – Luiz Fernando Carvalho
Best Actor – Carlos Alberto Soffredini, Luiz Fernando Carvalho and Luís Alberto de Abreu
Best New Actress – RJ – Carolina Oliveira
Best Supporting Actor (Nominee) – RJ – Osmar Prado

ABC Award of Cinematography

Best Cinematography in a TV Show – José Tadeu Ribeiro

Contigo Award

Best Director – Luiz Fernando Carvalho
Best Child Actress – Carolina Oliveira
Best Actor (Nominee) – Rodrigo Santoro
Best Actress (Nominee) – Fernanda Montenegro
Best New Actress (Nominee) – Carolina Oliveira
Best Author (Nominee) – Carlos Alberto Soffredini, Luiz Fernando Carvalho and Luís Alberto de Abreu

International Emmy

Best Miniseries (Nominee)
Best Actress (Nominee) – Carolina Oliveira

Banff Festival (Canada)

Hors Concours

APCA Award

Grand Prize of Television Critics
Best Director – Luiz Fernando Carvalho

Input International Board Taipei

Hors Concours

Extra Award

Best Child Actress – Carolina Oliveira

Brazil Quality Award

Best TV Drama Director – Luiz Fernando Carvalho
Best Special Project – RJ – Luiz Fernando Carvalho
Best Special Project – SP – Luiz Fernando Carvalho
Best Actor – Carlos Alberto Soffredini, Luiz Fernando Carvalho and Luís Alberto de Abreu
Best New Actress – RJ – Carolina Oliveira
Best Supporting Actor (Nominee) – RJ – Osmar Prado

ABC Award of Cinematography

Best Cinematography in a TV Show – José Tadeu Ribeiro

Contigo Award

Best Director – Luiz Fernando Carvalho
Best Child Actress – Carolina Oliveira
Best Actor (Nominee) – Rodrigo Santoro
Best Actress (Nominee) – Fernanda Montenegro
Best New Actress (Nominee) – Carolina Oliveira
Best Author (Nominee) – Carlos Alberto Soffredini, Luiz Fernando Carvalho and Luís Alberto de Abreu

International Emmy

Best Miniseries (Nominee)
Best Actress (Nominee) – Carolina Oliveira

Banff Festival (Canada)

Hors Concours

APCA Award

Grand Prize of Television Critics
Best Director – Luiz Fernando Carvalho

Input International Board Taipei

Hors Concours

Extra Award

Best Child Actress – Carolina Oliveira

Brazil Quality Award

Best TV Drama Director – Luiz Fernando Carvalho
Best Special Project – RJ – Luiz Fernando Carvalho
Best Special Project – SP – Luiz Fernando Carvalho
Best Actor – Carlos Alberto Soffredini, Luiz Fernando Carvalho and Luís Alberto de Abreu
Best New Actress – RJ – Carolina Oliveira
Best Supporting Actor (Nominee) – RJ – Osmar Prado

ABC Award of Cinematography

Best Cinematography in a TV Show – José Tadeu Ribeiro

Contigo Award

Best Director – Luiz Fernando Carvalho
Best Child Actress – Carolina Oliveira
Best Actor (Nominee) – Rodrigo Santoro
Best Actress (Nominee) – Fernanda Montenegro
Best New Actress (Nominee) – Carolina Oliveira
Best Author (Nominee) – Carlos Alberto Soffredini, Luiz Fernando Carvalho and Luís Alberto de Abreu

International Emmy

Best Miniseries (Nominee)
Best Actress (Nominee) – Carolina Oliveira

Banff Festival (Canada)

Hors Concours

APCA Award

Grand Prize of Television Critics
Best Director – Luiz Fernando Carvalho

Input International Board Taipei

Hors Concours

Extra Award

Best Child Actress – Carolina Oliveira

Brazil Quality Award

Best TV Drama Director – Luiz Fernando Carvalho
Best Special Project – RJ – Luiz Fernando Carvalho
Best Special Project – SP – Luiz Fernando Carvalho
Best Actor – Carlos Alberto Soffredini, Luiz Fernando Carvalho and Luís Alberto de Abreu
Best New Actress – RJ – Carolina Oliveira
Best Supporting Actor (Nominee) – RJ – Osmar Prado

ABC Award of Cinematography

Best Cinematography in a TV Show – José Tadeu Ribeiro

Contigo Award

Best Director – Luiz Fernando Carvalho
Best Child Actress – Carolina Oliveira
Best Actor (Nominee) – Rodrigo Santoro
Best Actress (Nominee) – Fernanda Montenegro
Best New Actress (Nominee) – Carolina Oliveira
Best Author (Nominee) – Carlos Alberto Soffredini, Luiz Fernando Carvalho and Luís Alberto de Abreu

International Emmy

Best Miniseries (Nominee)
Best Actress (Nominee) – Carolina Oliveira

Banff Festival (Canada)

Hors Concours

APCA Award

Grand Prize of Television Critics
Best Director – Luiz Fernando Carvalho

Input International Board Taipei

Hors Concours

Extra Award

Best Child Actress – Carolina Oliveira

Brazil Quality Award

Best TV Drama Director – Luiz Fernando Carvalho
Best Special Project – RJ – Luiz Fernando Carvalho
Best Special Project – SP – Luiz Fernando Carvalho
Best Actor – Carlos Alberto Soffredini, Luiz Fernando Carvalho and Luís Alberto de Abreu
Best New Actress – RJ – Carolina Oliveira
Best Supporting Actor (Nominee) – RJ – Osmar Prado

ABC Award of Cinematography

Best Cinematography in a TV Show – José Tadeu Ribeiro

Contigo Award

Best Director – Luiz Fernando Carvalho
Best Child Actress – Carolina Oliveira
Best Actor (Nominee) – Rodrigo Santoro
Best Actress (Nominee) – Fernanda Montenegro
Best New Actress (Nominee) – Carolina Oliveira
Best Author (Nominee) – Carlos Alberto Soffredini, Luiz Fernando Carvalho and Luís Alberto de Abreu

International Emmy

Best Miniseries (Nominee)
Best Actress (Nominee) – Carolina Oliveira

Banff Festival (Canada)

Hors Concours

APCA Award

Grand Prize of Television Critics
Best Director – Luiz Fernando Carvalho

Input International Board Taipei

Hors Concours

Extra Award

Best Child Actress – Carolina Oliveira

Brazil Quality Award

Best TV Drama Director – Luiz Fernando Carvalho
Best Special Project – RJ – Luiz Fernando Carvalho
Best Special Project – SP – Luiz Fernando Carvalho
Best Actor – Carlos Alberto Soffredini, Luiz Fernando Carvalho and Luís Alberto de Abreu
Best New Actress – RJ – Carolina Oliveira
Best Supporting Actor (Nominee) – RJ – Osmar Prado

ABC Award of Cinematography

Best Cinematography in a TV Show – José Tadeu Ribeiro

Contigo Award

Best Director – Luiz Fernando Carvalho
Best Child Actress – Carolina Oliveira
Best Actor (Nominee) – Rodrigo Santoro
Best Actress (Nominee) – Fernanda Montenegro
Best New Actress (Nominee) – Carolina Oliveira
Best Author (Nominee) – Carlos Alberto Soffredini, Luiz Fernando Carvalho and Luís Alberto de Abreu

DVD

The First and Second Journeys of Hoje é Dia de Maria were brought together on three discs, part of the same DVD, accompanied by collectible postcards with images of the miniseries, and a booklet with an interview with the director about the two seasons.

Books

Critical Fortune

1, Oct — 2005

Globale Télé

  • Jean-Phillipe Tessé
  • Caiers du Cinéma

“On doit à Luiz Fernando Carvalho le plus beau filme brésilien de ces dernières annés – A La Gauche du Père – mais l’essentiel de son oeuvre a été réalisée pour la télévision. Sa derinère série en date a connu un grand succès: Hoje é Dia de Maria. Très ambitieuse et très aboutie formellement, la série fait suite à dáutres projets d’envergure tels que Os Maias. Difficile d’imaginer parreille ambition artistique sur une télévision française.”

29, Jan — 2005

Alexandre, Maria & Cia

  • Affonso Romado de Sant'Anna
  • O Globo

“With the micro-series Hoje é Dia de Maria, Luiz Fernando Carvalho managed to bring to the screen one of the most imponderable things in narrative: The fantasy.”

9, Oct — 2005

In Search of our Brazilian Childhood

  • Marília Martins
  • O Globo

“The images of Hoje é Dia de Maria are rare. Everything escapes the global standard: it is fiction that is brave enough to reveal itself as fiction, it is a TV product that dares to search in the early movies for language reinvention.”

Leia Mais

23, Jan — 2004

A Defeat of Cultural Populism

  • Daniel Piza
  • O Estado de S.Paulo

“Hoje é Dia de Maria, whose Wednesday chapter was of a harlequin beauty, far above the stereotypical naturalism that dominates Brazilian TV, is proof of how the wiseasses that rule the media and creation never stop biting the dust.”

9, Oct — 2005

Master of Imagination

  • Esther Hamburger
  • Folha de S.Paulo

“One of the rare achievements that shows that when channels are willing to offer fine products, they appeal to a public that is lacking in good challenges.”

Leia Mais

Hoje é Dia de Maria

  • Nilson Xavier
  • Teledramaturgia

“Beauty in its Purest State.”

12, Jan — 2005

Hoje é Dia de Maria Allures and Has Good Ratings

  • O Estado de S.Paulo

“An Exquisite Production.”

Leia Mais

26, Dec — 2005

The Best of 2005

  • O Globo

“The second season of Luiz Fernando Carvalho’s micro-series once again showed a quality production.”

Leia Mais

13, Oct — 2005

Maria’s Second Journey is Even More Experimental

  • Cristina Padiglione
  • O Estado de S.Paulo

“Never seen before on the prime time of TV.”

13, Oct — 2005

Nothing is Randon on the Second Journey of Hoje é Dia de Maria

  • Laura Matos
  • Folha de S.Paulo

“Another pleasant surprise of this show that has already changed the history of Brazilian television: actress Inês Peixoto.”

Leia Mais

16, Jan — 2005

Out of the Box

  • Ricardo Valladares
  • Veja

“Art Television.”

10, Oct — 2005

The Dream Never Ends

  • Martha Mendonça
  • Época

“Once upon a time there was a TV show that revolutionized television. Innovative in language, narrative, light, and color.”

Leia Mais

13, Oct — 2005

Children’s Memory

  • Luiz Zanin Oricchio Alexandre Werneck
  • O Estado de S.Paulo
  • Jornal do Brasil

“It almost proposes a recovery of mass art discourse and audience standardization in the face of a spectacle society and a cultural industry.”

18, Jan — 2005

Miniseries Rhymes with Emotion and Content

  • Luiz Zanin Oricchio
  • O Estado de S.Paulo

“The Hoje é Dia de Maria miniseries is so out of character with the usual TV programming that it leaves the critic even without parameters to compare it with other attractions of the genre.”

Leia Mais

Press

Principais notícias

15, Nov — 2004

A Filmmaker in Childhood Country

  • Daniel Piza
  • O Estado de S.Paulo

Fernanda Montenegro: “Luiz Fernando Carvalho is a pure artist, an obstinate. The team is very good and gives all to him because he trusts his talent, his level of demand.”

5, Dec — 2004

It Looks Like Painting

  • Helena Corrêa
  • O Globo

Luiz Fernando Carvalho: “I never lie to the public. I am proposing a game with the imagination to viewers.”

22, Dec — 2004

Once Upon a Time in Brazil

  • Rodrigo Fonseca
  • Jornal do Brasil

“It was in the borrowed structure of Rock City that he (Luiz Fernando Carvalho) rebuilt an allegorical version of his country, assembled from the narratives of his people.”

9, Jan — 2005

Carvalho Invokes Popular Culture in Micro-series

  • Valmir Santos
  • Folha de S.Paulo

“Director associates Hoje é Dia de Maria with a search for Brazilian identity.”

Leia Mais

8, Jan — 2005

Fernanda’s Stories

  • Amélia Gonzales
  • O Globo

Fernanda Montenegro: “He (Luiz Fernando Carvalho) sought out various groups of puppet theater, folk dance. We had a lot of work, but I’m sure the result is great.”

9, Jan — 2005

On the Wings of Magic

  • Elena Corrêa
  • O Globo

“The micro-series featured visual artist Raimundo Rodriguez and professionals from various artistic segments with the Giramundo puppet theater group, fashion designer Jun Nakao, and animator César Coelho, one of the directors of the Anima Mundi festival.”

19, Dec — 2004

Luiz Fernando Carvalho Forays Into Fantasy

  • Folha de S.Paulo

“The artisanal and procedural character of theater also seems to leak into Carvalho’s mode of production.”

4, Sep — 2005

The Next Maria’s Day

  • Daniel Castro
  • Folha de S.Paulo

“Part of the most amazing TV show in recent years comes out of the junk that is produced on Projac.”

Leia Mais

11, Jan — 2005

Globo TV Miniseries Use Paper for Clothing and Scrap for Props

  • James Cimino
  • Folha de S.Paulo

“In one of the scenes, referred to as ‘paper men,’ the clothes are made exactly of that material. The creative knight, stylist Jum Nakao, stood out over the latest edition of São Paulo Fashion Week with his avant-garde fashion show in which models dressed in various types of paper.”

Leia Mais

Gero Camilo Forays Into TV Miniseries

  • Thiago Stivaletti
  • Folha de S.Paulo

“This year Camilo has gone far from the movie sets, but started a few weeks ago his first big television experience. And at the hands of a proponent of aesthetic quality on TV, director Luiz Fernando Carvalho.”

Leia Mais

7, Oct — 2005

Hoje é Dia de Maria Has Exhibit in São Paulo

  • Folha de S.Paulo

“The República do Metrô station, in São Paulo, hosts a show with part of the scenery, as well as photos and costumes from the second season of the Hoje é Dia de Maria series.”

Leia Mais

9, Oct — 2005

Maria’s Journey

  • O Globo

“Leticia, like the others involved in the micro-series, holds out the hope that such an innovative project, designed and executed by Luiz Fernando Carvalho, will pave the way for others.”

2, Sep — 2005

Sad Fringes of the Sea

  • Teresa Albuquerque
  • Correio Brasiliense

“Hoje é Dia de Maria is a project longer than ten years by Luiz Fernando Carvalho.”

Créditos

Hoje é Dia de Maria – First Journey and Second Journey with Letícia Sabatella, Rodrigo Santoro, Osmar Prado, Daniel Oliveira, Emiliano Queiroz, André Valli, Ricardo Blat, Marco Ricca, Charles Fricks, Leandro Castilho. Introducing Carolina Oliveira as young Maria. Special Actor Guests Fernanda Montenegro, Juliana Carneiro da Cunha, Laura Cardoso, Gero Camilo, Stenio Garcia, Rodolfo Vaz, Inês Peixoto, Mario César Camargo, Aramis Trindade, Ilya São Paulo, Antonio Edson, Denise Assunção, João Sabiá, Nenego Lira, Rhaynná Pina, Laura Lobo, Phlippe Louis, Luiz Damasceno, Suzana Faini, Rafaella de Oliveira, Tadeu Mello, Rosa Maria Colin, Maria Clara Fernandez. Author Carlos Alberto Soffredini. Written by Luís Alberto de Abreu and Luiz Fernando Carvalho. Puppets Teatro de Bonecos Giramundos. Art Direction Lia Renha. Scenography Lia Renha and João Irênio. Costume Luciana Buarque. Paper Costumes Jum Nakao and Silvana Marcondes. Cinematography José Tadeu. Art Production Jussara Xavier. Panel Painting Clécio Regis. Visual Artist Raimundo Rodriguez. Casting Production Nelson Fonseca. Choreography Denise Stutz and Patricia Taranto. Body Preparation Tiche Vianna and Ésio Magalhães. Actors’ Preparation Maria Clara Fernandes. Vocal Preparation Agnes Moço. Music Production Tim Rescala. Character Makeup Vavá Torres. Edition Carlos Thadeu, Pedro Duran, Paulo Leite, Paulo H. Farias and Carlos Herr. Animation Direction Cesar Coelho (Anima Mundi). Cameras Murilo Azevedo and Sebastião de Oliveira. Research Iris Gomes da Costa and Edna Palatnik. Continuity Lucia Fernanda. Assistant Directors Wanessa Machado and Mariana Pinheiro. Production Management Maristela Velloso. Creation and General Direction Luiz Fernando Carvalho.