9, Oct — 2013

With Luiza Brunet, Fantástico Launches Silent Series About Women’s Dilemmas

  • Louise Soares
  • Folha de S.Paulo

“To which extent women’s issues have been solved or dropped?” said Luiz Fernando Carvalho at the series rollout.

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27, Oct — 2013

A Woman on Women

  • O Globo

“Males are framed in dogmas, do as preached. Women are knowledgeable of the language of the invisible, the body, the affections, the imagination, the silence, and subtleness. Women seek doubts, break paradigms. The framing of everything in the same model is quite a masculine deed,” the director compares.

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19, Oct — 2013

Ladies’ Mail: Clarice Lispector’s Texts In a Segment of Fantástico

  • Marie Claire

“Directed by Luiz Fernando Carvalho (Today is Maria’s Day and After All, What Does A Woman Want?), the eight episodes are driven by the voice of actress Maria Fernanda Cândido – as she speaks, three women respond to Clarice’s words.”

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26, Oct — 2013

Luiz Fernando Carvalho Directs ‘Ladies’ Mail,’ which Airs on ‘Fantástico’

  • O Dia

“In addition to directing, Carvalho spearheads the music production, with hits from the 1960s, ranging from ‘Love Me Tender’ by Elvis Presley to ‘A Banda’ by Nara Leão. In turn, incidental songs are selected by the composer and pianist André Mehmari, invited by Carvalho.”

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9, Oct — 2013

Cintia Dicker: The ‘Eloquent Ginger’ And Her Actress Debut

Luiz Fernando Carvalho: “An artist is always at birth, en route. We are always incomplete.”

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26, Oct — 2013

Clarice Lispector in Fantástico TV Show Chitchat

  • Cassiano Elek Machado
  • Folha de S.Paulo

“I don’t accept the frowning of some folks who underappreciate the almanacs vis-à-vis her other great novels, and fail to see them as a worthy part of Clarice Lispector’s work,” says Luiz Fernando Carvalho, who has already adapted works by authors such as Machado de Assis and Raduan Nassar for TV and the movies.

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9, Oct — 2013

New Series of TV Show Fantástico Features Maria Fernanda Cândido and Luiza Brunet

  • Sabrina Grimberg
  • UOL

Luiz Fernando Carvalho, with works of easily recognizable features, such as “Today Is Maria’s Day” and “Capitu”, tells that having a cast brave enough to reinvent itself was one of his intents with the series. “When developing the show, we’ve decided to start from scratch.  We had to be brave to flirt with the unknown, not knowing where we were heading for. References got in the way, and only feelings were left there to surface.”

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3, Jul — 2013

Luiza Brunet Returns to Television

  • O Dia

Luiza Brunet: “When Luiz Fernando Carvalho called me, I couldn’t contain my excitement. That was dope! I was thrilled the whole weekend until Monday. I had already played roles in soap operas, but I didn’t like the outcome. Luiz Fernando is a real conductor. He can make you laugh, cry, and lose it. I was enraptured and fell in love with the work done.”

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24, Oct — 2013

Clarice Lispector Gives Tips in Fantástico TV Show

  • Cristina Padiglione
  • O Estado de S.Paulo

“Debuting this Sunday, the series is based on texts by Helen Palmer”

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20, Oct — 2013

Three Generations Listen to Helen Palmer’s Advice on New Series

  • G1

“How to seduce a man, take care of the house, maintain beauty, marriage? Let’s dive into the feminine universe from the view of one of the greatest writers of this country, Clarice Lispector.”

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1, Oct — 2013

Clarice Lispector + Luiz Fernando Carvalho

  • Laura Artigas
  • Moda pra ler

“Luiz Fernando Carvalho’s works are strikingly authorial and therefore he participates intensely in all stages. When the starting point is a literary work, he aims at maximum fidelity to the author’s narrative.”

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25, Oct — 2013

Maria Fernanda Cândido’s Resourcefulness in Recounting Clarice Lispector’s Stories

  • O Dia

“Maria Fernanda Cândido’s first contact with Clarice Lispector was at 18 with the classic The Hour of the Star. ‘That was how a deep fondness has started,’ she recalls.

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16, Oct — 2013

‘I want a new cycle on TV,’ says Luiz Fernando Carvalho

  • Rodrigo Fonseca
  • O Globo

Luiz Fernando Carvalho: “There was an invitation for me to propose something for the show, and this proposition pleased me because it meant thinking about something for an eclectic audience, from classes A to C, but predominantly for females, from ladies to young women. This was behind the concept of rescuing the feminine look of Helen Palmer, one of Clarice’s heteronyms, and proposing a link with the fashion advertising aesthetics of the 1960s. ”

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